Photography: Marcus Hart
The Vietnam War is often remembered through the era’s powerful anti-war songs. Christian Charisiou talks about playing a soldier in Rolling Thunder Vietnam.
DNA: Tell us about your role in Rolling Thunder Vietnam.
Christian Charisiou: I play Andy, a 21-year-old who gets drafted into the Vietnam War. He’s on the road to discovering what destiny has in store and is very open-minded. He’s a curious man who questions everything and takes a lot in his stride but his identity and purpose in life are thrown up in the air when he goes to Vietnam. The show explores his journey along with three other stories about finding one’s destiny.
As well as lead roles in Cry Baby and The Wedding Singer, you also played Nick in Who’s Afraid of Virginia Woolf? Is that role as taxing as it seems?
Yes, that show is a marathon. It’s around three hours long but a profound experience and a gift to perform. I studied at NIDA and I love a dense text, however, not only did I have to learn my own lines, I had to learn the other actors’ lines, too. Edward Albee wrote so intelligently you have to understand the script for the character’s reactions to be organic.
Have you played a gay role?
Not yet professionally but I’d love the opportunity. But I also think it’s time for queer artists to be able to play versions of themselves onstage and uplift their voices. The only experience I’ve had was in acting school when I chose to play Prior in the drag scene from Angels In America. I set myself the task to learn how to do my own drag makeup and explore the character who was experiencing HIV/AIDS taking over his body. It’s a profound role and would still be a dream role for me.
Do you hang out with your gay mates?
I have several gay uncles and it’s been incredible growing up with them in my life, especially being men of their generation. It opened me up to seeing that it doesn’t matter what your sexuality or gender identity is. It was something that, very early on, I always took in my stride. Many of my friends are queer and gender neutral and on the queer spectrum, and I love all their company. They’re amazing people and I’m totally addicted to them.
So, you’ve had some crazy nights out?
Have I ever! Once, in Melbourne, my gay friends invited me to Circuit Bar. I remember the sun was coming up as I walked out. I don’t quite remember much about my time there, but I do know it was a great time!
What song will always get you on the dancefloor?
I love disco so it’s hard to go past It’s Raining Men. As soon as it comes on it’s game-on for everybody! It makes you want to get your top off – especially at Circuit! And it must be The Weather Girls’ original. I don’t do covers!
Who’s your music diva?
Adele. I don’t know any woman who currently has her presence. I saw her in concert and she was unapologetically herself and obnoxious in the best possible way. Her vibe was like, “I’m going to absolutely blow the roof off”.
Do you have a favourite quote?
I’d rather be pleasantly surprised than constantly disappointed.
As a NIDA graduate, what’s your advice to anyone wanting to enter the profession?
Never forget who you are in this industry because fundamentally what makes you is unique and beautiful. That’s what you’ll be hired for. It’s easy to give in to what others want but sticking to how you want to do it will work wonders for you.
Who inspires you in the entertainment business?
It’s a weird one, but Jim Carrey is my earliest memory of being inspired to perform. I watched Ace Ventura as a kid and thought if he can be that big and camp on screen, then there’s no reason I can’t be as big. When I saw Eternal Sunshine Of The Spotless Mind, I was blown away.
Do you have a grooming tip?
If what you’re wearing makes you feel good, you’ll always look and feel good. And a good haircut is never too expensive. I’ve had many $50-dollar bad haircuts but, after a recent $120 cut, I’ve never looked back!
What’s been your biggest onstage wardrobe malfunction?
There’s a scene in The Wedding Singer where I’m thrown into a dumpster after I destroy someone’s wedding. The crotch in my pants split! I was on stage for quite a while with a giant gaping hole in my crotch! I was also down to my last pair of underwear, and they were pink. It’s very distracting seeing a pink crotch!
On the beach is it boardies or speedos?
Speedos for a tan and boardies if I’m at a family beach. But, if I’m near the water and want to swim, I’ll go in my underwear. I have no shame!
And your underwear would be…?
Briefs. For many years I tried boxers but I don’t enjoy things riding up while I’m walking.
Before taking on the role in Rolling Thunder Vietnam, what was your knowledge of the Vietnam War?
I’ve always been curious about war in general and why humans go into them so I knew a bit about Vietnam. When I read the script, the stories bewildered me, but finding out they were based on real anecdotes was mind-blowing. It was such a personal war to a lot of these young men and that’s what I learnt the most. I have more knowledge now regarding how different a lot of people’s stories and experiences in Vietnam were.
Certain songs distinctly make up a Vietnam War playlist. Why do you think they seem even more popular now?
Because we don’t write songs like that anymore. There’s a song in the show called Eve Of Destruction and it’s incredibly dense lyrically. A lot of it is poetry and metaphor. These songwriters were poets expressing their political, moral and personal beliefs. It was about war and the cost of human life. It’s the complexity of the music and lyrics that make it all so profound.
What about the songs you sing?
As an example, I sing All Along The Watchtower by Bob Dylan and made famous by Jimmy Hendrix. It’s one of my all-time favourites but, even to this day, I still don’t quite understand the metaphor behind it. It’s haunting and one of those great rock songs you want to sing along with.
MORE: To book, go to rollingthundervietnam.com
Follow Christian on Instagram @christiancharisiou
DNA: WHO WOULD YOU TURN GAY FOR?
Christian: I’d happily lick Brad Pitt’s abs. He’s still got them, too!
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Photography: Kathy Hutchins/Shutterstock; Marcus Hart.

